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Even monsters have to
work on their tans, especially ones who are genetically obsessed
with their own appearance. This unlucky beholder gets caught in
a Coppertone moment when his tanning is interrupted by a hot day's
knight.
Just about all of the paintings on this site need a little explanation,
but maybe this one more than most. In fact, now that I've finished
it, even I'm starting to wonder what I was thinking.
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I got the
original idea for this painting way back in October of 2004, when
I was hanging around in Barnes and Noble and I spotted the latest
issue of Dragon magazine on
the rack. On a lark, I picked it up and flipped it open, to check
on the state of the world of Dungeons and Dragons. And on the very
first page I open to, what do I see but an article about my Knights
Kingdom sets, profiled as the most D&D-friendly Lego line of all
time! I was dumbfounded. After so many years of trying to combine
Lego and gaming, and this is how I finally break into Dragon.
Even weirder, the concluding sentence of the article is "Now
if we could just get Mike to put his Legos down long enough to get
some work done around here..."
I was pretty creeped out.
Naturally I brought the magazine home and framed it.
But before I framed it, I read it cover to cover. And the one
thing that really stuck with me was a bit at the beginning of the
Letters section ("Scale Mail"), the editor's response to
a request for a Dragon swimsuit issue. I quote:
| "Believe
it or not, we've discussed this at the office. Our harebrained
scheme involved making the April issue the swimsuit issue.
Of course, our plan called for a beholder in a bikini
bottom (perhaps with a puppy pulling it down) in addition
to the requisite beefcake picture of Redgar playing volleyball
and Mialee catching some rays." |
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Dragon Magazine #324, October 2004, page 12 |
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Somehow the image got stuck
in my head. |
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| "One
Brick to Rule Them All" - Dragon Talk, Dragon Magaizine
#324, October 2004, page 16 |
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| detail:
A Hot Day's Knight |
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I love this goofball horse.
I did my best to match the horse, in spirit, to the black Scottie
dog in the original Coppertone ad. And the goofier he got, the better
I liked him. Especially with that grim-faced knight along for the
ride. I wonder what that poor guy must be thinking. |
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| detail:
Flesh to Stone and Finger of Death |
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The really fun part of this painting was coming up with the eyeballs
to match the beholder's supernatural powers. These two are the eyes
for Flesh to Stone and Finger of Death. And just look
at the perfect Coppertone tan on those eyelids.
Becuase people are asking about it, going clockwise starting at
the horse, the eyeballs are arranged as follows: Inflict Moderate
Wounds, Charm Person, Slow (bringing up the rear), Charm
Monster, Sleep, Fear, Disintegrate, Telekinesis, Finger of Death,
and Flesh to Stone. And if that list doesn't make your geek
heart beat just a little harder then you should just turn your membership
card back in at the door.
My concept boss wags
his finger at things like these two eyeballs and calls it "American
design," meaning that I've sidestepped even the illusion of
finesse and gone for the most obvious and overstated symbolism possible.
What can I say, I'm an American. If this were a more serious painting
I would probably have tried to keep things more subtle, but coloring
up something like this hideously necrotic eyeball is too fun an
opportunity to pass up. Maybe the rest of you don't see the beauty
in it, but you know the old saying about that.
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